Andy Warhol Katalog Raisonné Pod redakcją Fraydy Feldman i Jörga Schellmanna. Schellmann/Feldman 1985. Tekst w języku angielskim i niemieckim. 26x24cm.

Stan bardzo dobry - Na okładce ślady po zagięciu, przeglądaniu. Stan jak na zdjęciach.

Opublikowany 1985: Edition Schellmann, Monachium, 1985: Ronald Feldman Fine Arts, Inc., Nowy Jork Ilustracje 1985: Andy Warhol Wprowadzenie © 1985: Henry Geldzahler.

Projekt graficzny: Jörg Schellmann Wydrukowano w Niemczech przez Sellier Druck, Monachium ISBN 3-921629-14-4

Niniejszy katalog raisonné zawiera dzieła Andy’ego Warhola wykonane w technice drukowanej od 1962 do początków 1985.

<p class="desc-p is-empty">"If you want to know all about Andy Warhol, just look at the slace of my paintings and films and me, there I am. There's nothing behind it.<p class="desc-p is-empty">W eu me A Andy Warhol's most recent self-portrait, as The Shadow in Myths, 1981 (#267), presim at the height of his career as an artist and art entrepreneur. Born of Czech immiareer parents in 1928, Warhol grew up in lower working clagra Barroundings near Pittsburgh. He moved to New York in 1949 and established himself as a successful commercial artist during the 1950s. In the 1960s, he was recognized as a major Pop artist and confirmed his reputation as a leading art celebrity. Throughout his career, he has maintained the image of a perpetual seeker of the fruits of the American Dream and fan of glamorous culture heroes, while making art works that challenge the assumptions inherent in those ideals. In an earlier Self-Portrait from the mid-1960s (silver and black Self-Portrait, 1967 (#16), Warhol presents the same remote self image, with features half obscured in shadow, showing himself, the artist, as the detached observer of his surroundings. During the 1960s, when "things had to break down, so they could be put back together again in a new way, "2 Warhol's art was the cutting edge of contemporary culture and integrally linked to the changes occurring in art and society. Subsequently, his milieu has shifted from the underground to high society. Warhol, however, remains the shadow, the elusive voyeur, forever responding to the pulse of cultural change and continuing to demand attention.<p class="desc-p is-empty">