Frauen sehen Männer. Die Darstellung des männlichen Aktes durch zeitgenössische Fotografinnen

Frauen sehen Männer: Die Darstellung des männlichen Aktes durch zeitgenössische Fotografinnen [offizieller Ausstellungskatalog der Ausstellung "Frauen sehen Männer". Der Bildband zeigt Fotos von: Dominique Auerbacher – Rosella Bellusci – Annette Berns – Marsha Burns – Vera Hernandez Correa – Lynn Davis – Barbara DeGenevieve – Lenni van Dinther – Sandi Fellman – Nan Goldin – Jaschi Klein – Marie Therese Litschauer – Jacqueline Livingstone – Bernis von zur Muehlen – Dianora Niccolini – Suzanne E. Pastor – Irene Peschick – Karin Rosenthal – Ernestine Rüben – Sharon Stewart – Giuliana Traverso]
Weiermair, Peter [Hrsg.]

Peter Weiermair (ed), Frauen sehen Männer. Die Darstellung des männlichen Aktes durch zeitgenössische Fotografinnen. Schaffhausen: Verlag 'Photographie' AG, 1988. Published as catalog of the Exhibition "Frauen Sehen Männer", curated by Peter Weiermair. Hardcover, 160 pp. 28,5 x 25 cm. Photo-illustrated dustjacket over grey cloth with white lettering on the spine. Dark grey endpapers.

A fine copy in a very good dj (shelf wear, a sunned spot in the upper left corner of front cover). Clean, crisp interior, tight book block, no writing or other markings.

'Not a history of male nude photography by women, some older examples of it, like Dionora Niccolini's male nudes from 1961 were selected by Peter Weiermair. The show's intention was to anthologically cover a broad spectrum of the growing photographic production of the 1980s, a field that ranges from the aesthetic fixation of the naked man (Annette Berns) during while swimming to the documentation of the dancer Cipolla (Giuliana Traversa), examples of authorial photography (Vera Hernandez), studio photography (Lynn Davies, Marsha Burns, Sandi Fellman), staged photography (Jaschi Klein, Lenni van Dinther, Sharon Stewart) to the differentiated forms of contemporary positions, large photography (Peschick), the rediscovery of historical positions and their re-staging (Dominique Auerbacher) the surrealist collage (Janet Livingstone) or colored photography in connection with text (Barbara De Genevieve) as well as the large polaroid photography (Sandi Fellman).' (From the introduction by Peter Weiermair)

Photographs by Dianora Niccolini, Bernis von zur Muehlen, Karin Rosenthal, Marsha Burns, Suzanne E. Pastor, Irene Peschick, Giuliana Traverso, Charlotte March, Nan Goldin, Sandi Fellmann, Barbara DeGenevieve, Lynn Davis, Rosella Bellusci, Maria-Theresia Litschauer, Anette Berns, Ernestine Ruben, Vera Hernandez Correa, Dominique Auerbacher, Lenni van Dinther, Jacqueline Livingstone, Jaschi Klein, and Sharon Stewart.